Film And Religion

Poster for Epic Sound: Music in Postwar Hollywood Biblical FilmsPoster for The Gospel According To Monty PythonPoster for Religious Science Fiction in Battlestar Galactica and Caprica: Women as Mediators of the Sacred and Poster for Bible and Cinema: Fifty Key FilmsPoster for Gospel According to Star Trek:The Original CrewPoster for Film, Religion and Activist Citizens: An ontology of transformative actsPoster for Perfect in Weakness: Faith in Tarkovsky’s Stalker

Articles

1
Robert Armour
Deliverance: Four Variations of the American Adam
1973-07
2
Joseph McBride
Joseph McBride on Three Godfathers
1973-07
3
A. W. Tozer
The Menace of the Religious Movie
1974-01
4
John M. Hood
Modern Mythology: 2001 AD: A Space Odyssey
1974-03
5
John C. Stubbs
The Seventh Seal
1975-04
6
John Dart
Woody Allen, Theologian
1977-06
7
John R. May
Con Men and a Conned Society: Religion in Contemporary American Cinema
1977-07
8
Andrew Gordon
Close Encounters: The Gospel According to Steven Spielberg
1980-04
9
D. W. Ingersoll Jr., J. M. Nickell, C. D. Lewis
Star Wars, the Future and Christian Eschatology
1980-11
10
David D. Lee
Appalachia on Film: "The Making of" Sergeant York
1981-04
11
Lane Roth
The Rejection of Rationalism in Recent Science Fiction Films
1981-06
12
Lester Friedman
The Conversion of the Jews
1981-07
13
W. Richard Comstock
Religious Transcendence and the Horizons of Culture: Observations on the Role of Religion in American Film
1981-10
14
Neil P. Hurley
Hollywood's New Mythology
1983-01
15
Laurel Arthur Burton
Close Encounters of a Religious Kind
1983-11
16
Richard Alan Nelsona
Mormons as silent cinema villains: propaganda and entertainment
1984-02
17
Peter Wilson Johnson
Echoes of Myth: The Feature Films of John Boorman
1984-09
18
Harlan Kennedy
Searching for the Star Child
1984-09
19
Andrew J. Ford
The pastoral tradition in film
1985-04
20
Norbert M Samuelson
" Daniel": A Study of Sidney Lumet's Integratinon of Jewish Ethis and the Christian Passion
1986-07
21
Lester D. Friedman
Celluloid Assimilation: Jews in American Silent Movies
1987-07
22
Gary Commins
Woody Allen's Theological Imagination
1987-07
23
Jean Collet and Jospeh Cunneen
Cinema and the Sacrifice of Narcissus
1987-09
24
Richard Alan Nelson
Commercial Propaganda in the Silent Film: A Case Study of "A Mormon Maid" (1917)
1987-10
25
John Matturri
Unreeled Presence: The Film Screen as Altar
1988-02
26
Elizabeth C. Hirschman
Movies as myths: An interpretation of motion picture mythology
1988-04
27
Michael Singer
Cinema Savior
1988-10
28
John A. Hostetler and Donald B. Kraybill
Hollywood markets the Amish
1988-12
29
Jennifer Lemon
Will we get McLuhan to the church on time? The “religious” dimensions of television
1989-07
30
James V. D'Arc
Darrryl F. Zanuck's "Brigham Young": A Film in Context
1989-11
31
Wright Wright
Preaching to the converted: conversion language and the constitution of the TV evangelical community
1989-11
32
Ellen Draper
" Controversy has probably destroyed forever the context": "The Miracle" and Movie Censorship in America in the Fifties
1990-04
33
John Klukach
Jesus and the Movies
1991-02
34
Robert Lamm
" Can We Laugh at God?": Apocalyptic Comedy in Film
1991-06
35
Rick Wolff
The Flying Nun and Post-Vatican II Catholicism
1991-06
36
Andrew Greeley
A God Who Play
1991-06
37
Richard A. Blake
Looking For God Profane & Sacred in the Films of Woody Allen
1991-06
38
Angela Tilby
Television and Evangelism: A Cautionary Tale
1991-06
39
Ingrid Shafer
The Catholic Imagination in Popular Film & Television
1991-08
40
Andrew Greeley
A God Who Plays it by Ear 5 Metaphors for God in Recent Films
1991-08
41
Andrew Gordon
" Raiders of the Lost Ark": Totem and Taboo
1991-10
42
Mark B. Sandberg
Rewriting God's Plot: Ingmar Bergmann and Feminine Narrative
1991-11
43
André Muraire
"The Last Temptation of Christ" et l'« affaire » Scorsese
1992-05
44
Francis G. Couvares
Hollywood, Main Street, and the Church: Trying to Censor the Movies Before the Production Code
1992-12
45
Michael Wood
God never dies': Buñuel and Catholicism
1993-02
46
Joseph Cunneen
Film and the Sacred
1993-04
47
Brenda Keller
SDA Youth and the Movies: An Analysis of the Church's Current Message
1993-04
48
Alan Nadel
God's Law and the Wide Screen: The Ten Commandments as Cold War "Epic"
1993-05
49
Sarah Noah
Historical figures in film: the celluloid Christ
1993-05
50
Jeffrey K. Hadden
The Rise and Fall of American Televangelism
1993-05
51
Peter C. Reynolds
The Priests of Cyborg
1993-07
52
Terry Barr
Stars, Light, and Finding the Way Home: Jewish Characters in Contemporary Film and Television
1993-08
53
Sylvain De Bleeckere
The religious dimension of cinematographical consciousness in postmodern culture
1994-05
54
Joseph Broda
Jung and The Godfather movies : analyzing film from an archetypal perspective
1994-06
55
Michael Jindra
Star Trek Fandom as a Religious Phenomenon
1994-06
56
Lila Abu-Lughod
Movie stars and Islamic moralism in Egypt
1995-04
57
Richard A. Blake S.J.
Redeemed in Blood: The Sacramental Universe of Martin Scorsese
1996-01
58
Stanley Rothman
MOVIES: Is God Really Dead in Beverly Hills? Religion and the Movies
1996-04
59
Pamela P. Mitchell Legg
Contemporary Films and Religious Exploration: An Opportunity for Religious Education. Part 1: Foundational Questions.
1996-09
60
Judith Wilt
Acts of God: Film, Religion, and FX
1997-01
61
Carol Iannone
The Truth About Inherit the Wind
1997-02
62
Torey L. Lightcap
The Medium and the Spirit: On Teaching Religion and Film
1997-03
63
Andrew M. Greeley
Images of God in the Movies
1997-04
64
Gregory Allen Robbins
Mozart & Salieri, Cain & Abel: A Cinematic Transformation of Genesis 4
1997-04
65
Michael L. Gillespie
Picturing the Way in Bae Yong-kyun's Why Has Bodhidharma Left for the East?
1997-04
66
Carl Greiner
The Rapture: A Challenging Vision of Horror
1997-04
67
Anthony R. Guneratne
Religious conflict, popular culture and the troubled spectators of recent Indian film
1997-04
68
MaryAnn Janosik
Madonnas in Our Midst: Representations of Women Religious in Hollywood Film
1997-07
69
Wendy M. Wright
Babette's Feast: A Religious Film
1997-10
70
Tania Oldenhage
" Holocaust Laughter"? A German response to Punch Me In the Stomach
1997-10
71
Jean Schuler
Kierkegaard at Babette's Feast: The Return to the Finite
1997-10
72
Laura Levitt
Redressing Jewish Difference in Tania Modleski's "Cinema and the Dark Continent"
1997-10
73
Anthony John Kinik,
That unbearable recurring apocalytic nightmare : crisis and apocalyptic visions in British film, 1987-1994
1997-10
74
John Lyden
To Commend or To Critique? The Question of Religion and Film Studies
1997-10
75
Pamela P. Mitchell Legg
Contemporary Films and Religious Exploration: An Opportunity for Religious Education. Part II: How to Engage in Conversation with Film.
1997-11
76
Steve Nolan
The Books of the films: Trends in religious film-analysis
1998-03
77
Bill Blizek and Ronald Burke
"The Apostle": An Interview with Robert Duvall
1998-04
78
Kyle Keefer and Tod Linafelt
The End of Desire: Theologies of Eros in The Song of Songs and Breaking the Waves
1998-04
79
Noa Steimatsky
Pasolini on Terra Sancta : Towards a Theology of Film
1998-04
80
Clive Marsh
Religion, Theology and Film in a Postmodern Age: A Response to John Lyden
1998-04
81
Irena S. M. Makarushka
Transgressing Goodness in Breaking the Waves
1998-04
82
Irena S. M. Makarushka
Transgressing Goodness in Breaking the Waves
1998-04
83
Conrad Ostwalt
Visions of the End. Secular Apocalypse in Recent Hollywood Film
1998-04
84
Jolyon Mitchell
Star Trek and theology
1998-05
85
Russell T. McCutcheon
Redescribing “Religion and …” Film: Teaching the Insider/Outsider Problem
1998-06
86
Mark Abramson
Mountains, monks and mandalas: 'Kundun' and 'Seven Years in Tibet.'
1998-07
87
Adele Reinhartz
Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus
1998-10
88
Matthew McEver
The Messianic Figure in Film: Christology Beyond the Biblical Epic
1998-10
89
Eve L. Mullen
Orientalist Commercializations: Tibetan Buddhism in American Popular Film
1998-10
90
Bryan P. Stone
Religious Faith and Science in Contact
1998-10
91
Jason Ambrosiano
"The Ties That Bind and Bless the Soul": Grace and Noir in Schrader's Light Sleeper
1998-10
92
Paul V. M. Flesher, Robert Torry
Teaching Religion and Film
1998-12
93
Randy Moore
Creationism in the United States: VII. The Lingering Impact of "Inherit the Wind"
1999-04
94
Geoff King
The scientist as pioneer hero: Hollywood's mythological reconciliations in twister and contact
1999-07
95
Mike J. Koven
" You don't have to be filmish": the Toronto Jewish Film Festival
1999-10
96
Graham Rossiter
The Shaping Influence of Film and Television on the Spirituality and Identity of Children and Adolescents: an educational response—part 3
1999-11
97
Timothy R. White, J. Emmett Winn
Islam, animation, and money: The reception of Disney's Aladdin in Southeast Asia.
1999-12
98
Mikel J. Koven
"Have I Got a Monster for You!": Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie
2000-02
99
Joel W. Martin
Anti-Feminism in Recent Apocalyptic Film
2000-04
100
John Lyden
The Apocalyptic Cosmology of Star Wars
2000-04
101
Conrad Ostwalt
Armageddon at the Millennial Dawn
2000-04
102
Frances Flannery Dailey
Bruce Willis as the Messiah: Human Effort, Salvation and Apocalypticism in Twelve Monkeys
2000-04
103
Peter Malone, Bernie Wooder
Buddhism and Catholicism at the movies
2000-04
104
Susan L. Schwartz
I Dream, Therefore I Am: What Dreams May Come
2000-04
105
Bernard Beck
Everybody Talkin' 'Bout Heaven: Dogma, The Sixth Sense, End of Days, and Establishments of Religion
2000-06
106
Michael P. Durley
Mary in Film: an Analysis of Cinematic Presentations of the Virgin Mary from 1897-1999: a Theological Appraisal of a Socio-Cultural Reality
2000-06
107
Daniel Nipper
Salvation in Film: The Apostle, Tender Mercies, Amistad, and Sergeant York
2000-06
108
Peter W. Williams
Review essay: religion goes to the movies
2000-08
109
Rebecca Sullivan
Celluloid sisters: femininity, religiosity, and the postwar American nun film
2000-09
110
Todd Rendleman
" Evil" images in At Play in the Fields of the Lord: evangelicals and representations of sexuality in contemporary film
2000-09
111
Krzysztof Jozajtis
Religion and film in American culture: the birth of a nation
2001-06
112
Timothy J. Etherington
Contending for Faith : Analyzing The Assault On Faith In The Truman Show And The Ladykillers
2004-12
113
Samuel Hamed Neves
The Matrix Film as a Guide to Postmodern Adventist Evangelism
2006-12
114
Michael W. Marek
Firefly – So “pretty” it could not die
2008-02
115
Gregory Kahlil Kareem Alleen
The Word Made Cinematic: The Representation of Jesus in Cinema
2008-06
116
Graham Holderness
Word and Image: Burgess, Zeffirelli, and Jesus the Man of Nazareth
2008-11
117
Anthony M. Ozele
Representations of Cultural Resilience and Perceptions of Religiosity in Nigerian Movies and the Crisis of Personal Identity Among Nigerian Adolescents
2008-12
118
Lise Paulsen Galal
Sacred Women in Coptic Cinema: Between Faith and Resistance
2009-04
119
Glenn Reynolds
Africa Joins the World: The Missionary Imagination and the Africa Motion Picture Project in Central Africa, 1937-9
2010-12
120
James G. Crossley
Life of Brian or Life of Jesus? Uses of Critical Biblical Scholarship and Non-orthodox Views of Jesus in Monty Python’s Life of Brian
2011-01
121
Nathan Fulton
Religion and South Park Or How I Learned To Stop Arguing and Listen to a Midget in a Bikini
2011-02
122
Gerald Loughlin
The Long Take: Messianic Time in Andrei Tarkovsky's Nostalghia
2011-03
123
Robert J. Myles
Terminating Samson: The Sarah Connor Chronicles and the Rise of New Biblical Meaning
2011-06
124
Keira McKenzie
The Mutated Spirit: The Hollywood Zombie as Psychopomp
2011-09
125
James Reitter
Religion, Blasphemy, and Tradition in the Films of Lucio Fulci
2011-09
126
Kenneth Fredheim
Star Wars as Modern Myth
2011-09
127
Carrol Fry
Angels in the Metroplex: Hegel, the Apocrypha, and Intertextuality in Der Himmel über Berlin (Wings of Desire)
2011-10
128
Melissa Tanti
Desiring Oedipus in Stephen Frears’s The Grifters
2011-10
129
John C. Lyden
Fourth Biennial VisionMaker Film Festival Report
2011-10
130
David Tollerton
Job of Suburbia? A Serious Man and Viewer Perceptions of the Biblical
2011-10
131
Michael Pittman
Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi
2011-10
132
Norman M. Cohen
A Serious Man
2011-10
133
Diane Corkery
Walt Kowalski A Christ-Figure? Christic Resonances in Gran Torino
2011-10
134
Joshua R. Furnal
On the Hermeneutics of Religious Film Criticism
2011-11
135
Marsha Bentley Hale
Chick Flicks and Weepies-The Mythology of Love in Film
2011-12
136
Sara A. Pierce
From Demon to Daimon: A Mythic and Depth Psychological Analysis of the American Hero Vampire
2011-12
137
Sean McBride
Illegal Tender: Sustaining Communitas and the Social Gospel in Musical Film
2011-12
138
Sofia Sjo
Bad religion/good spirituality? Explorations of religion in contemporary Scandinavian films
2012-01
139
Christopher M. Moreman
Let this Hell be Our Heaven: Richard Matheson's Spirituality and Its Hollywood Distortions
2012-03
140
Ken Derry
Believing is Seeing: Teaching Religion and Violence in Film
2012-04
141
Steven A. Benko
Ironic Faith in Monty Python’s Life of Brian
2012-04
142
Joseph E. Bisson
Irruptions of the Sacred in a “World of Shit”: Profanity, Sacred Words, and Cinematic Hierophanies in Stanley Kubrick’s Full Metal Jacket (1987)
2012-04
143
Kevin Dodd
King of Masks: The Myth of Miao-shan and the Empowerment of Women
2012-04
144
Richard Lindsay
Menstruation as Heroine’s Journey in Pan’s Labyrinth
2012-04
145
Douglas E. Cowan
Religion and Cinema Horror
2012-04
146
Douglas E. Cowan
Religion in Science Fiction Film and Television
2012-04
147
Cari Myers
Scapegoats and Redemption on Shutter Island
2012-04
148
J. Sage Elwell
There’s No Place Like Home: From Oz to Antichrist
2012-04
149
John C. McDowell
Unlearn What You Have Learned (yoda): The Critical Study of the Myth in Star Wars
2012-04
150
Bradley Herling
The Horror of (a) Playing God: Job’s Nightmare and Michael Haneke’s Funny Games
2012-07
151
David Feltmate
The Humorous Reproduction of Religious Prejudice: “Cults” and Religious Humour in The Simpsons, South Park, and King of the Hill
2012-07
152
Neil Gerlach
Narrating Armageddon: Antichrist Films and the Critique of Late Modernity
2012-07
153
Frank Bishop
Japanese Mythology: From Traditional Theatre Forms to Contemporary Popular Cinema
2012-08
154
Tammie M. Kennedy
Mary Magdalene and the Politics of Public Memory: Interrogating The Da Vinci Code
2012-08
155
James Y. Trammell
Watching Movies in the Name of the Lord: Thoughts on Analyzing Christian Film Criticism
2012-08
156
John C. Lyden
Whose Film Is It, Anyway? Canonicity and Authority in Star Wars Fandom
2012-08
157
Thomas J. Curry
Babette's Feast and the Goodness of God
2012-10
158
Emily McAvan
Buffy and Xena: Polytheisms on Screen
2012-10
159
Emily McAvan
Christ Figures and the Messianic in The Lord of the Rings
2012-10
160
David L. Smith
Everything's Going to Be OK: Source Code and the Dramas of Desire
2012-10
161
Caesar A. Montevecchio
Framing Salvation: Biblical Apocalyptic, Cinematic Dystopia, and Contextualizing the Narrative of Salvation
2012-10
162
David Humbert
Hitchcock and the Scapegoat: Violence and Victimization in The Wrong Man
2012-10
163
Thore Bjørnvig
The Holy Grail of Outer Space: Pluralism, Druidry, and the Religion of Cinema in The Sky Ship
2012-10
164
Irena S. M. Makarushka
Magdalene Sisters: How to Solve the Problem of 'Bad' Girls
2012-10
165
Airen Hall
Melodrama on a Mission: Latter-Day Saint Film and the Melodramatic Mode
2012-10
166
Justin Heinzekehr
The Reenchantment of Eschatology: Religious Secular Apocalypse in Akira Kurosawa’s Dreams
2012-10
167
Seung Min Hong
The Ring Goes to Different Cultures: A Call for Cross Cultural Studies of Religious Horror Films
2012-10
168
Jon Magne Vestøl
The Role of Movies in Norwegian Textbooks: A Study of Film as Artefact in Religious Education
2012-10
169
Jennifer Mara DeSilva
The Transformation of the Pope: The Agony and The Ecstasy (1965) and The Second Vatican Council (1962-65)
2012-10
170
Kevin V. Dodd
Whale Rider: The Re-enactment of Myth and the Empowerment of Women
2012-10
171
Richard Last
A Style-Sensitive Approach to Religion and Film
2012-11
172
Casiana Ionita
The Catholic Spectator: Cinema and the Church in France in the 1920s
2012-12
173
John Walliss, James Aston
" I’ve never murdered anyone in my life. The decisions are up to them.": Ethical Guidance and Cultural Pessimism in the Saw Series
2012-12
174
John Levesque
Nothing Sacred: Ignatian principles of heroic leadership in entertainment media
2012-12
175
David Congdon
Reconsidering Apocalyptic Cinema: Pauline Apocalyptic and Paul Thomas Anderson
2012-12
176
Andrew Atkinson
When You Walk Through the Garden: HBO and the Cross Pressures of Post-Secular Humanism
2012-12
177
Maria Francesca Piredda
The Italian Missionary Film and Fiamme
2013-01
178
Nathalie Dupont
Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia
2013-03
179
Julianne Qiuling Ma Yang
Towards a cinema of contemplation: Roy Andersson’s aesthetics and ethics
2013-03
180
Joseph Kickasola
Facing Forward, Looking Back: Religion and Film Studies in the Last Decade
2013-04
181
Vaughan S. Roberts
Homeric Heroes in Ethan and Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) and No Country for Old Men (2007)
2013-04
182
Peter L. Doebler
Jest in Time: The Problems and Promises of the Holy Fool in Francesco, giullare di Dio, Ordet, and Ikiru
2013-04
183
Almut-Barbara Renger
No Magic against Love, or Dark Seduction Redirected: Perspectives on the Fantasy Film Krabat
2013-04
184
Justin Ponder
O Great God-Humility and Camera Movement in Roberto Rossellini’s The Flowers of St. Francis
2013-04
185
Bertha Alvarez Manninen
The Problem of Evil and Humans’ Relationship with God in Terrence Malick’s The Tree of Life
2013-04
186
Adam L. Porter
Satanic but not Satan: Signs of the Devilish in Contemporary Cinema
2013-04
187
Yoshiko Okuyama
Shinto and Buddhist Metaphors in Departures
2013-04
188
Richard A. Blake S.J.
The Sins of Leo McCarey
2013-04
189
Matthew W. Mitchell
Some More Light on the Text: Watching HBO’s Deadwood with and without the Apostle Paul
2013-04
190
Christopher B. Barnett
Spirit(uality) in the Films of Terrence Malick
2013-04
191
Bill Fech
The Soul Announces Itself: Terrence Malick’s Emersonian Cinema
2013-05
192
João de Mancelos
Talking to God, Under Terrence Malick's Tree of Life
2013-05
193
Valérie K. Orlando
Women, Religion, and Sexuality in Contemporary Moroccan Film: Unveiling the Veiled in Hijab al-Hob (Veils of Love, 2009)
2013-05
194
Tri Wasiul Hakim
Discrimination towards Nasira as a Muslim woman and Rochel as an orthodox Jewish woman reflected in Arranged
2013-06
195
Minja Bloom
Television vampire fandom and religion
2013-06
196
Line Nyrbo Peterson
Danish female fans negotiating romance and spirituality in The Twilight Saga
2013-07
197
Sunday Olayinka Alawode, PhD & Stephen S. Fatonji
Ritualism in Nigerian Home Videos
2013-07
198
Justin Garrison
God’s Middle Children Metaphysical Rebellion in Chuck Palahniuk’s Fight Club
2013-08
199
Walid El Khachab
Cinema as a Sacred Surface: Ritual Rememoration of Transcendence
2013-09
200
Conrad E. Ostwalt
The Bible, Religion, and Film in the Twenty-first Century
2013-10
201
Stefanie Knauss
Exploring Orthodox Jewish Masculinities with Eyes Wide Open
2013-10
202
David F. Burton
Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy
2013-10
203
Sofia Sjo
Go with Peace Jamil - Affirmation and Challenge of the Image of the Muslim Man
2013-10
204
Oludamini Ogunnaike
Inception and Ibn 'Arabi
2013-10
205
David Sander
Love that Tames: Anti-Heroes, Power and Islamic Reform Reflected in Two Iranian Films
2013-10
206
Art Simon
Make Way for Youth: The American Jewish Committee and the Social Problem Film
2013-10
207
Davide Zordan
Of Men, Roles and Rules: Nanni Moretti’s Habemus Papam
2013-10
208
Anton Karl Kozlovic
Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film?
2013-10
209
Kette Thomas
With An Eye On A Set Of New Eyes: Beasts of the Southern Wild
2013-10
210
Kathleen M. Erndl
Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film
2013-10
211
Nur Kareelawati Abd. Karim
Little Mosque on the Prairie: Interfaith TV through Malaysian Eyes
2013-11
212
M. Gail Hamner
Religion and Film: A Pedagogical Rubric
2013-11
213
Richard Walsh
The Cinematic Construction of Early Modern Religions
2013-12
214
Yonah Ringlestein
Real or Not Real: The Hunger Games as Transmediated Religion
2013-12
215
Russell J. A. Kilbourn
( No) Voice Out of the Whirlwind: The Book of Job and the End of the World in A Serious Man, Take Shelter, and The Tree of Life
2014-01
216
Harold Henry Hellwig
William Blake’s Jerusalem and the Los Angeles of Film Noir
2014-01
217
Hulya Onal
From Cliches to Mysticism: Evolution of Religious Motives in Turkish Cinema
2014-02
218
Deborah Justice
When Church and Cinema Combine: Blurring Boundaries through Media-savvy Evangelicalism
2014-02
219
Almut-Barbara Renger
Buddhism and Film/Inter-Relation and Interpenetration: Reflections on an Emerging Research Field
2014-03
220
Arnfridur Gudmundsdottir
Christ in the Limelight: Contemporary Films and Christological Discourse
2014-03
221
Stephen J. Lind
Christmas in the 1960s: A Charlie Brown Christmas, Religion, and the Conventions of the Television Genre
2014-03
222
Lina Verchery
Ethics of Inscrutability: Ontologies of Emptiness in Buddhist Film
2014-03
223
Dan Smyer Yu Yu
Pema Tseden's Transnational Cinema: Screening a Buddhist Landscape of Tibet
2014-03
224
Tanya D. Zuk
Proud Mormon Polygamist: Assimilation, Popular Memory, and the Mormon Churches in Big Love
2014-03
225
Christian Feichtinger
Space Buddhism: The Adoption of Buddhist Motifs in Star Wars
2014-03
226
Elisabetta Porcu
Staging Zen Buddhism: Image Creation in Contemporary Films
2014-03
227
Francisca Cho
The Transnational Buddhism of Spring, Summer, Fall, Winter… and Spring
2014-03
228
Mark Patrick McGuire
Trading a Notebook for a Camera: Toward a Theory of Collaborative, Ethnopoetic Filmmaking
2014-03
229
Geoffrey Skoll & Maximiliano Korstanje
The Walking Dead and Bottom Days
2014-03
230
John Whalen-Bridge
What is a 'Buddhist Film?'
2014-03
231
Andreas Becker
" When You Wash the Rice, Wash the Rice" About the Cinematic Representation of Cooking and Zen in Doris Dorrie's How to Cook Your Life (2007)
2014-03
232
Brian W. Nail
Closing the Loop: "The Promise and Threat of the Sacred" in Rian Johnson’s Looper
2014-04
233
M. Gail Hamner
Filming Reconciliation: Affect and Nostalgia in The Tree of Life
2014-04
234
Robert O. Efird
The Holy Fool in Late Tarkovsky
2014-04
235
Catherine M. O'Brien
" Love, What Have You Done to Me?" Eros and agape in Alfred Hitchcock's I Confess
2014-04
236
Erik Heine
Musical Rebirth in Fearless and The Truman Show
2014-04
237
David L. Smith
Plato's Watermelon: Art and Illusion in The Brothers Bloom
2014-04
238
Carl Laamanen
Preaching in the Darkness: The Night of the Hunter’s Subversion of Patriarchal Christianity and Classical Cinema
2014-04
239
Soren G. Palmer
Transitional Violence in King of New York
2014-04
240
Timothy J. Johnson and Barbara Ottaviani-Jones
The Virgin Mary on Screen: Mater Dei or Just a Mother in Guido Chiesa’s Io Sono con Te (I Am with You)
2014-04
241
Cora Dean and Kenneth Dean
Making Bored in Heaven: A Film about Ritual Sensation
2014-05
242
Benjamin Sampsona
Marketing miracles: the modern intersection of Hollywood and Christian film cultures
2014-05
243
Rhonda Burnette-Bletsch
The Bible and Its Cinematic Adaptations: A Consideration of Filmic Exegesis
2014-06
244
Graham Rossiter
Decoding the mise -en -scène of contemporary secular spirituality: a research monograph. Part I: context, approach and relevant literature
2014-07
245
Sarah Balstrup
Doctor Who: Christianity, Atheism, and the Source of Sacredness in the Davies Years
2014-07
246
Saodah Wok, Rizalawati Ismail and Faridah Abdul Manaf
Impact of Islamic Film on Understanding of Islamic Values and Cultures for a Multiracial Society in Malaysia
2014-07
247
Rachel E. Silverman
Jewish Performativity on Sex and the City
2014-07
248
Laszlo Attila Hubbes
New Hungarian Mythology Animated: Self-Portraits of the Nation
2014-07
249
Geetanjali Singh Chanda
Recognition and Rejection of Sikh Identity in Film
2014-08
250
Alexander Cox-Twardowski
Temporality in Ancient and Contemporary Revelations: Hypermasculinity and Violence in the Book of Revelation and Donnie Darko
2014-08
251
Laurel Zwissler
" And You Were There": A Trip Down the Yellow Brick Road with the Academic Study of Religion
2014-10
252
Stefan L. Arvidsson
Blood-Suckers! The Concepts Revisionist and Anti-revisionist Mythology Introduced by the Vampire- and Werewolf-tetralogy Underworld (2003-2012)
2014-10
253
Gabriel S. Estrada
Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci-Fi Film
2014-10
254
Rowland Wymer
Derek Jarman’s Renaissance and The Devils (1971)
2014-10
255
Karl E. Martin
The Failure of a Pseudo-Christian Community in a Nation-State in Crisis: 28 Days Later
2014-10
256
Chris Yogerst
Faith Under the Fedora: Indiana Jones and the Heroic Journey Towards God
2014-10
257
William Bartley
Faith, Doubt, and Chiasmus in Krzysztof Kieslowski's Decalogue I
2014-10
258
David L. Smith
How to Be a Genuine Fake: Her, Alan Watts, and the Problem of the Self
2014-10
259
Marcus O'Donnell
" If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales
2014-10
260
Bilal Yorulmaz and William L. Blizek
Islam in Turkish Cinema
2014-10
261
Ken Derry
" Like You Could Read What Was Inside of Me": Genocide, Hermeneutics, and Religion in The Wizard of Oz
2014-10
262
Michael Ostling
Myth, Religion, and the Man Behind the Curtain
2014-10
263
Diane Corkery
Religion, Education and The West Wing
2014-10
264
David L. Smith
" There’s No Place Like Home": An American Koan
2014-10
265
Aviva Atlani
The Ha-Ha Holocaust: Exploring Levity Amidst the Ruins and Beyond in Testimony, Literature and Film
2014-11
266
Frank Bosman
Tarkovsky's Sacrifice: Between Nietzsche and Christ
2014-11
267
Jeremy Punt
Imperialism in New Testament films
2014-12
268
Hussein Rashid
Muslims in Film and Muslim Filmmaking in the United States
2014-12
269
Lorenzo Bagnoli and Rita Capurro
Religious Tourism and TV Serials: the Case of Two Italian Papal Birthplaces
2014-12
270
Hunter B. Dukes
The Binding of Abraham: Inverting the Akedah in Fail-Safe and WarGames
2015-01
271
Caesar A. Montevecchio
Eucharistic Imagery in Film: Two Patterns of Usage
2015-01
272
Richard Wolff
An Evil Threat to Marriage, Children and the Future: Queer Theory, "The Passion of the Christ," and Evangelical Political Rhetoric
2015-01
273
Najmeh Moradiyan Rizi
Iranian Women, Iranian Cinema: Negotiating with Ideology and Tradition
2015-01
274
Michael D. Calabria OFM
The Movie Mogul, Moses and Muslims: Islamic Elements in Cecil B. DeMille’s The Ten Commandments (1956)
2015-01
275
Tamas Nagypal
The Non-Place between Sacred and Profane: Utopian Gestures in the Apparatus of Semiocapitalism in Laurent Cantet’s L'emploi du temps
2015-01
276
Chris Venner
Personal Identity and Angelic Touch in Wim Wenders' Wings of Desire
2015-01
277
Anisa Saeed Mohammed Nasser
Undoing the Claim of Objectivity: Contradictions at the Heart of Bergtji van der Haak, Saudi Solutions (2005)
2015-01
278
Stella Ramage
Missionaries, modernity and the moving image: re-presenting the Melanesian Other to Christian communities in the West between the World Wars
2015-02
279
Michael Thorn
Cannibalism, Communion, and Multifaith Sacrifice in the Novel and Film Life of Pi
2015-03
280
Marcus O’Donnell
Children of Men’s Ambient Apocalyptic Visions
2015-03
281
Wim Tigges
Cults, Cant, and Converts: An Ideological Issue in Xena:Warrior Princess
2015-03
282
Jordan Ryan Goings
Dystopian narratives and humanism. What a zombie makeover really looks like
2015-03
283
Jeffrey M. Tripp
Gabriel, Abortion, and Anti-Annunciation in The Prophecy, Constantine, and Legion
2015-03
284
Abbas Assadi, Rahime Zeynali
Representation of the Apocalypse in Hollywood Cinema
2015-03
285
Jim Clarke
The Resurrection Days Are Over: Resurrection from Doctor Who to Torchwood
2015-03
286
James Martel
Broken by God: Fate and Divine Intervention in Breaking the Waves
2015-04
287
Darren J. N. Middleton
On Teaching “Jesus in Fiction and Film”
2015-04
288
Joshua D. Ambrosius & Joseph M. Valenzano III
" People in Hell Want Slurpees": The Redefinition of the Zombie Genre through the Salvific Portrayal of Family on AMC's The Walking Dead
2015-04
289
Daniel Reynaud
Religion and the Anzac Legend on Screen
2015-04
290
Burns Andrew R.
Confirmation of Prophecy by Proxy: Audience Anticipation and Reception of the 2014 Movie Left Behind and its Relevance to the Dispensational Premillennialist Worldview
2015-05
291
Mariana Colin
Evil Looks Right Back at You: Portrayals of Catholicism in American Horror Story: Asylum
2015-05
292
Currie Dixon McKinley
Revisiting The Ghosts of Vatican II: Gender in Catholic Horror Cinema of the American 60s and 70s
2015-05
293
Little Raven
" Holy Book of Job, Batman!"
2015-06
294
Sofia Sjö
Filmic Constructions of Religious Spaces: Churches as Settings for Trauma, Change, and Redemption
2015-07
295
Anne-Marie Paquet-Deyris
John Huston’s Wise Blood (1980) : On Southern prophets and con men
2015-07
296
Sheila J. Nayar
Media Review: Bollywood Religious Comedy: An Inaugural Humor-neutics
2015-07
297
Doru Pop
Puerile Patriarchs of an Infantilized God. Mythological Meme Mutations in Contemporary Cinema
2015-07
298
Adam T. Shreve
Religious Films in Zimbabwean Contexts
2015-07
299
James H. Thrall
What the Frak, Frankenstein! Teenagers, Gods, and Postcolonial Monsters on Caprica
2015-07
300
Kipp Davis
Zombies in America and at Qumran: AMC’s The Walking Dead, the Dead Sea Scrolls, and Apocalyptic Redux
2015-07
301
Liat Steir-Livny
Holocaust Humor, Satire, and Parody on Israeli Television
2015-08
302
Michaela Wuensch
Trauma, Guilt, and Ethics in BeTipul and In Treatment: The Universalist Approach and (Jewish) Particularism of Psychoanalysis in Transnational Television
2015-08
303
Jyoti Raghu
True Love's Kiss and Happily Ever After: the religion of love in American film
2015-08
304
Elaine Graham
The Final Frontier? Religion and Posthumanism in Film and Television
2015-09
305
Panayiotis A. Thoma
Beyond the Confines of Tolerance in Rachid Buchareb’s London River: Theological Discussion and Educational Approach to an Open Ended film
2015-10
306
Timothy D Petersa
Beyond the limits of the law: a Christological reading of Christopher Nolan's The Dark Knight
2015-10
307
Fryderyk Kwiatkowski
Climbing a ladder to heaven. Gnostic vision of the world in Jacob's Ladder (1990)
2015-10
308
Sofia Sjö
The Gendering of Pastors in Contemporary Nordic Films: Norms, Conventions and Contemporary Views
2015-10
309
Ian Dwayne Pettigrew
" I Ain’t So Sure but What the Lord Done Put These Folks in Our Path for a Reason": Latter-day Saints Building Communities Through Dancing in John Ford’s Wagon Master
2015-10
310
William L. Blizek
Is Slumdog Millionaire a Retelling of the Ramayana?
2015-10
311
Adam Breckenridge
A Path Less Traveled: Rethinking Spirituality in the Films of Alejandro Jodorowsky
2015-10
312
Ebru Thwaites Dikena
Ulak (The Messenger): a mystic fable of Islamic messianism
2015-10
313
Carrol L. Fry
" We Are Legion": Primal Dreams and Screams in the Satanic Screen
2015-10
314
Matthew Leggatt
You’ve Gotta Keep the Faith: Making Sense of Disaster in Post 9/11 Apocalyptic Cinema
2015-10
315
Catherine Jones, Atsushi Tajima
The Caucasianization of Jesus: Hollywood Transforming Christianity into a Racially Hierarchical Discourse
2015-11
316
Dan Chyutin
A Hidden Light: Judaism, Contemporary Israeli Film, and the Cinematic Experience
2015-11
317
Rosninawati Hussin, Sofia Hayati Yusoff, Siti Nubailah Mohd Yu
Islamic Representation in Television Advertising and its Impact on Modern Malay Muslim Women
2015-11
318
Krzysztof Majer
" Receive with Simplicity Everything That Happens to You": Schlemiel (Meta) Physics in the Coens' A Serious Man
2015-11
319
Andrada Fătu-Tutoveanu
The Return of the Sacred”: Implicit Religion and Initiation Symbolism in Zvyagintsev's Vozvrashchenie (2003)
2015-11
320
Matthew Pittman
Thou Shalt Kill . . . Carefully: Secular Religion, the Immanent Frame, and Showtime’s Dexter
2015-11
321
Joseph P. Laycock
" Time Is a Flat Circle”: True Detective and the Specter of Moral Panic in American Pop Culture
2015-11
322
William L. Blizek & Bilal Yorulmaz
Applying Religion and Film to Islam
2015-12
323
Owen D. Edwards
" As We See, So We Learn": Doctor Who as Religious Education
2015-12
324
Nikolai Blaskow
Birdman or ('the unexpected virtue of ignorance'): Transcendence in unexpected places
2015-12
325
Geoff Broughton
Casting Jesus: A century of cinematic Christ
2015-12
326
Leena Vuolteenaho
Doctor Who and Immortality: Influence of Christian and Buddhist Ethics
2015-12
327
Stacy Embry
Doctor Who and the Iconographic Search for an Ecstatic Human Religious Experience
2015-12
328
Ann Matsuuchi, Alexander Lozupone
The Doctor’s Original Face: Watching Doctor Who Episodes as Buddhist Koans
2015-12
329
James F. McGrath
Explicit and Implicit Religion in Doctor Who and Star Trek
2015-12
330
Monisa Qadri, Sabeha Mufti
Films and Religion: An analysis of Aamir Khan's PK
2015-12
331
Bernard Doherty
The immolated victim: Traditionalist Roman Catholicism and Mel Gibson's 'the passion of the Christ'
2015-12
332
Bushra Anjum, Attiya Irum
Impact of Television Advertisement on Consumer. Buying Behavior: The Moderating Role of. Religiosity in the context of Pakistan
2015-12
333
Holly A. Jordan
The Impossible Pit: Satan, Hell, and Teaching with Doctor Who
2015-12
334
Ashwinder Kaur a/p Gurbanjan Singh
The Influence of Bollywood Films on Punjabi Sikh Youths' Perception of Their Religious Identity
2015-12
335
William Keenan
Into the Arms of Dr Who: Implicit Religion and a Cowboy’s Redemption
2015-12
336
Osama Kanaker & Zulkiple A. Ghani
Islamic Television Programs : Content and Format Revisited
2015-12
337
Colin H. Yuckman
The Jesus Film: Between Global Christianization and World Christianity
2015-12
338
Jasper Peters
Nothing Will Ever Be The Same Again: Exploring Faith, Doubt, and the Disciple Journey of a Companion to the Doctor
2015-12
339
Jonathan Holt
A poor reflection as in a mirror?: Film as both window and mirror for theology
2015-12
340
Caroline Symcox
Screenwriters as Theologians: Doctor Who’s Scope for Theological Exploration
2015-12
341
M. Gail Hamner
Sensing Religion in Alfonso Cuarón’s “Children of Men”
2015-12
342
Manoj Kumar Das
Televising religion: A study of Sathya Sai Baba's funeral broadcast in Gangtok, India
2015-12
343
Gregory Allen Robbins
" Aftertones of Infinity": Biblical and Darwinian Evocations in Terrence Malick’s The Tree of Life and To the Wonder
2016-01
344
Imen Yacoubi
Agonizing Transitions and Turning Away from God in Two Tunisian Movies
2016-01
345
Cyrus Ali Zargar
Allegory and Ambiguity in the Films of Majid Majidi: A Theodicy of Meaning
2016-01
346
Denys Kondyuk
Different Images of God: Theological-aesthetical Evaluation of Films by Andrey Zvyagintsev and Pavel Lungin
2016-01
347
Andronika M. Martonova
Enlightenments: The Interpretation of Tibetan Buddhism on Screen
2016-01
348
Kathleen E. Urda
Eros and Contemplation: The Catholic Vision of Terrence Malick’s To the Wonder
2016-01
349
Rubina Ramji
Examining the Critical Role American Popular Film Continues to Play in Maintaining the Muslim Terrorist Image, Post 9/11
2016-01
350
Clive Marsh
Films, Values, Absolutes: Why Theological Readings of Films are Morally and Politically Essential
2016-01
351
Diana Dimitrova
Hinduism and Its Others in Bollywood Film of the 2000s
2016-01
352
Sofia Sjö
Madness, Otherness and Transformation: Exploring Religion in Nordic Crime Films
2016-01
353
David Shepherd
" Noah's Beasts Were the Stars": Arthur Melbourne Cooper’s Noah’s Ark (1909)
2016-01
354
Ridade Öztürk
On Human Nature in the Thought of Muhyiddin Ibn’ Arabi and the Western Tradition Within the Context of the Film The Silence of the Lambs
2016-01
355
Vivienne Angeles
Philippine Muslims on Screen: From Villains to Heroes
2016-01
356
Heidi A. Campbell
Problematizing the Human-Technology Relationship through Techno-Spiritual Myths Presented in The Machine, Transcendence and Her
2016-01
357
Nacim Pak-Shiraz
The Qur’anic Epic in Iranian Cinema
2016-01
358
Kathleen M. Erndl
Religious and National Identity in My Name is Khan
2016-01
359
Franzoni Andrea
The Returned and the Departed. The living and the dead in the TV series The Leftovers and Les Revenants
2016-01
360
Paolo Stellino, Claudio Rozzoni
Rivette’s The Nun: Religion between Sadism and Masochism
2016-01
361
Adele Reinhartz
The Seal of the Confessional: Robert Lepage’s Le Confessionnal in Social and Cultural Context
2016-01
362
Jouko Aaltonen
Spirits and Ceremonies: How to Construct Religious Experience in Documentary Film
2016-01
363
Greg Watkins
Time the Redeemer: Time as an Object of Cinema in a Post-Metaphysical Age
2016-01
364
Joseph Kickasola
Tracking the Fallen Apple: Ineffability, Religious Tropes, and Existential Despair in Nuri Bilge Ceylan’s Once Upon a Time in Anatolia
2016-01
365
Melih Çoban
Various Representations of Jews in Turkish Cinema
2016-01
366
Canan Balan
Islam, Consciousness and Early Cinema: Said Nursî and the Cinema of God
2016-02
367
Robert Sinnerbrink
" Love Everything" Cinema and Belief in Malick’s The Tree of Life
2016-02
368
Dora Carpenter-Latiri
The sacrificial sheep in three French-North African film: displacements and reappropriations
2016-02
369
Yohai Hakak
Filmed ‘Not During the Sabbath’: The Israeli Haredi Minority through the Camera’s Lens
2016-03
370
Raita Merivirta
Historical Film and Hindu–Muslim Relations in Post-Hindutva India: The Case of Jodhaa Akbar
2016-03
371
Andreas Fuchs
Keeping the Faith: Religious moviegoers drive demand for authenticity
2016-03
372
Paul Martin Obayi, Ph.D and Ignatius Obiorah Edogor
Nigerian Audiences' Perception of Pentecostal Churches' Ownership of Satellite Television Channels
2016-03
373
Terrie Waddell, Timothy W Jones
The spoken and unspoken nature of child abuse in the miniseries Devil’s Playground: The Royal Commission into Institutional Responses to Child Sexual Abuse, the Catholic Church and television drama in Australia
2016-03
374
Kwai-Cheung Loa
Buddha found and lost in the Chinese nation of ‘Diversity in Unity’: Pema Tseden's films as a Buddhist mode of reflexivity
2016-04
375
Marcos Norris
Dr. King and the Image of God: A Theology of Voting Rights in Ava DuVernay's Selma
2016-04
376
James M. Hansen
The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics
2016-04
377
Diana Walsh Pasulka
"The Fairy Tale is True”: Social Technologies of the Religious Supernatural in Film and New Media
2016-04
378
Andrew Small
Fetish, Sacrifice and Tragic Freedom in the Dardenne Brothers' La Promesse
2016-04
379
Yahya Laayouni
From Marseille to Mecca: Reconciling the Secular and the Religious in Le grand voyage (The Big Trip) (2004)
2016-04
380
Shayna Weiss
Frum with Benefits: Israeli Television, Globalization, and Srugim’s American Appeal
2016-04
381
Tim Stanley
Has Hollywood finally found god?
2016-04
382
Carl Laamanen
" He who kills the body, kills the soul that inhabits it": Feminist Filmmaking, Religion, and Spiritual Identification in Vision
2016-04
383
Baudouin Dupret, Clémentine Gutron
Islamic Positivism and Scientific Truth: Qur’an and Archeology in a Creationist Documentary Film
2016-04
384
Nasiru Wada Khalil
Perception and Reaction: The Representation of the Shari’a in Nollywood and Kanywood Films
2016-04
385
Bryan Mead
Rejecting the Ethnic Community in Little Caesar, The Public Enemy, and Scarface
2016-04
386
Kevin M. McGeough
The Roles Of Violence in Recent Biblical Cinema: The Passion, Noah, And Exodus: Gods And Kings
2016-04
387
Tyler Dukes
Sacred Time and Ritualistic Behavior at Harry Potter Book Releases and Film Premieres
2016-04
388
Maureen A. Sabine
Seeing the Light, Hearing the Call: Women Religious as Spectators and Subjects of Popular Nun Films
2016-04
389
Bertha A. Manninen Ph.D.
Suffering and Soul-Making in Disney/Pixar’s Inside Out
2016-04
390
John Y. Myers and Fouad Abd-El-Khalick
"A ton of faith in science!” nature and role of assumptions in, and ideas about, science and epistemology generated upon watching a sci-fi film
2016-04
391
Olatunde Oyewole Ogunbiyi
African Traditional Religion and Representation: An Examination of Selected Yoruba Movies
2016-05
392
Andreas Fuchs
Show Faith in Moviegoers: Devout audiences respond to unprecedented range of films
2016-05
393
Lewis
Spirited publics? Post-secularism, enchantment and enterprise on Indian television
2016-05
394
Imron Rosidi
Being Active Consumers: Indonesian Muslim Youth Engaging with Korean Television Dramas
2016-06
395
Elessa Young
Reality Television through the Lens of Catholic Social Teaching and Quintilian
2016-06
396
Yelena Biberman,Sahar Gul &Feryaz Ocakli
Channeling Islam: Religious Narratives on Pakistani Television and Their Influence on Pakistani Youth
2016-07
397
Liat Steir-Livny
Holocaust Satire on Israeli TV: the Battle against Canonic Memory Agents
2016-07
398
Amir Vudka
The human chameleon: Hybrid Jews in cinema
2016-07
399
Muhamad Fadhil Nurdin, Fitaha Aini, Vina Effendi, Mohamad Saleeh
The Rise of Islamic Values in Media: A Three Dimensions Analysis of Film Industry in Indonesia
2016-08
400
Mark Ward Sr.
Televangelism, Audience Fragmentation, and the Changing Coverage of Scandal
2016-08
401
Paolo Alfieri, Carlotta Frigerio
The Memory of an Ideal School: The Work of Don Lorenzo Milani as Represented by Cinema and Television (1963–2012)
2016-09
402
Megan Girdwood
Bearing Witness: The Sight of a Sacrifice in Cristian Mungiu's Beyond the Hills
2016-10
403
Marc Yamada
Between Documentary and Fiction: The Films of Kore-Eda Hirokazu
2016-10
404
Wojciech Kosior
The Crimes of Love. The (Un)Censored Version of the Flood Story in Noah (2014)
2016-10
405
John McAteer
The Gospel According to Marvel
2016-10
406
L. Daniel Hawk
Indigenous Helpers and Renegade Invaders: Ambivalent Characters in Biblical and Cinematic Conquest Narratives
2016-10
407
Kathleen J. Cassity
Not Alone: "Ironic Faith," The Comic Worldview, and Process Theology in Monty Python's Life of Brian
2016-10
408
David S. Dalton
Santería and Resistance in Tomás Gutierrez Alea and Juan Carlos Tabío’s Strawberry and Chocolate and in Fernando Pérez’s Life is to Whistle
2016-10
409
David L. Smith
Six Ways of Looking at Anomalisa
2016-10
410
Aigul Sh. Tuyakbaeva
Traditional Ceremonies and Rituals of Kazakh People as the Reflection of the Spiritual Culture in the Kazakh Cinematograph
2016-10
411
Wynn Gerald Hamonic
Verdens Undergang (1916) and the Birth of Apocalyptic Film: Antecedents and Causative Forces
2016-10
412
Edward J. Godfrey
Zen Noir vis-à-vis Myers-Briggs Personality Typology: Semiotic Multivalency as Grounds for Dialog
2016-10
413
Seth M. Walker
“It’s Not A Fucking Book, It’s A Weapon!”: Authority, Power, And Mediation In The Book Of Eli
2016-10
414
Mohib Rehman
Discourse on gender, religion, and culture in Pakistani films: A narrative analysis of contemporary independent films from Pakistan
2016-12
415
William B. Robison
Marrying Mary to the Black Legend: Anti-Catholicism and Anti-Marian Messages in Anglo-American Films about Philip II of Spain
2016-12
416
Wynn Gerald Hamonic
Global Catastrophe in Motion Pictures as Meaning and Message: The Functions of Apocalyptic Cinema in American Film
2017-04
417
Karli Brittz
Gnosticism, technology and the soul in Cuarón's Gravity
2017-04
418
Rebekah Eklund
Hot Jesus, Black Messiah, Suffering Son of God: How Jesus Films Shape Our Moral Imaginations
2017-04
419
Fryderyk Kwiatkowski
How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998)
2017-04
420
Kameron J. Copeland
" I Do Feel the Fire!": The Transformations of Prison-Based Black Male Converts to Islam in South Central, Malcolm X, and Oz
2017-04
421
Ken Derry
Problem-Based Learning and Two Studies of the Journal of Religion and Film: Self-Sacrifice and Music
2017-04
422
Travis Warren Cooper
Religion and Violence in Jesse James Films, 1972–2010
2017-04
423
Adam L. Porter
Satanic Humans: Using Satanic Tropes To Guide And Misguide The Audience
2017-04
424
Chris Yogerst
Superhero Films: A Fascist National Complex or Exemplars of Moral Virtue?
2017-04
425
Margaret Sullivan
" To See My Home Before I Die”: The Trip to Bountiful, Memento Mori, and the Experience of Death
2017-04
426
Gabriel S. Estrada
Two-Spirit Mexica Youth and Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), and Libertad (2015)
2017-04
427
Sara Mostafa Shokshok
Sociolinguistic Analysis of Religious Values in Figurative Language Used in The Message Movie
2018-07
428
Barbara Ann MacLaren,
Searching Borders of Art, Soul and Spirit: In Direction of the Film Something Borrowed, Something Blue
2019-03
429
Wayne Glausser
Groundhog Day at 25: Conflict and Inspiration at the Tipping Point of Seasonal Genres
2019-04
430
Robert S. Gall
Of God, Humanity, and the World: Reflections on "The Truman Show"
2019-04
431
Kerem Dr Bayraktaroglu
The Representation of Turkish Women in James Bond Films
2019-04
432
Kjartan Leer-Salvesen
Touched by Grace? A Look at Grace in Bergman's Winter Light and Martin Luther's Writings
2019-04
433
Nicholas J. Schaser
Who is Like God? The Deer Hunter as Angelic Allegory
2019-04
434
Hannah R. Stoltenberg
Bhakti Bells and Bollywood: Positioning Kathak Dance as a Religious Ritual in Urban India
2019-05
435
Rina Febianti
Moses' Representation as a Jew in Exodus Gods and Kings
2019-05
436
Roberta Garrett
A Sly and Stubborn People': Game of Thrones, Orientalism and Islamophobia
2019-05
437
William Doherty Ph.D
The American Catholic Church Censors the Movies
2019-06
438
Cesar Albarran-Torres
Nothing is sacred: Privation and piety in'Simon of the desert'
2019-06
439
David S. Hogsette, Ph.D.
The Tyranny of Masculine Creation and the Potency of a Replicant Adam and Eve Mythology: Postsecular Critique of Materialism in the Blade Runner Films
2019-06
440
Roikhatul Jannah
Alienation of Moslem Identity in Tariq Mahdi's Character as Seen in Mooz-lum Film
2019-07
441
Maria Myutel
Commercial Television in Indonesia: The Sindhi Element
2019-07
442
Tenzan Eaghll
Ideological Blindspot in the Academic Study of Religion and Film
2019-07
443
Christian Suhr
Jinn exorcisms on YouTube
2019-07
444
Nimi Wariboko
Metals and Movens of Colored Television: The Spirit is a Bone: A Response to Marla F. Frederick's Colored Television: American Religion Gone Global
2019-07
445
Peter Paik
The Self Without Interest: The Return of Sacrifice in The Leftovers
2019-07
446
Gabriel Mayer
The Visuality of the Holocaust Today
2019-08
447
Jakub Gortat
Between Idealization of a Martyr and Critic of a Society: Analysis of Axel Corti’s "Der Fall Jägerstätter"
2019-09
448
Richard G. Walsh
Biblical Coens: Can We Laugh Now?
2019-09
449
Marc Raymond
The Catholic Scorsese – or How a Seminarian Turned to the Movies
2019-09
450
Darren J.N. Middleton and Mark W. Dennis
The Global Afterlives of Silence
2019-09
451
Rhonda Burnette-Bletsch
The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints
2019-09
452
Guerric DeBona
No Way Out: Martin Scorsese and the Ecclesial Imagination
2019-09
453
Gerard Loughlin
Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead
2019-09
454
John McAteer
The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero
2019-09
455
Clark J. Elliston
Reinventing Human Experience: Hugo and the Theological Possibilities of Film
2019-09
456
Zachary Sheldon
Religion and Culture in Inherit the Wind
2019-09
457
Burak Özçetin
Religion on Air: The Birth and Transformation of Religious Broadcasting in Turkey
2019-09
458
Kerry P.C. San Chirico
Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma1
2019-09
459
Intan Kumalasari, Darliana Sormin, Muhammad Irsan Barus
Seriality Across Narrations, Languages and Mass Consumption
2019-09
460
Marc Yamada
Teaching Hierophany through Film and Film through Hierophany
2019-09
461
Rocco Giansante
Temporal and Topological: Two Ways of Living Israel/Palestine
2019-09
462
Cari Myers
Violence and Redemption in Scorsese’s Films: A Girardian Reading
2019-09
463
Antonio Lucci
Chapter Nine Religious Seriality: Reflections on the Problem of the Religion and Religiosity in Television Seriality, Starting from American Horror Story - Cult, The Leftovers and American Gods
2019-10
464
Mikayla Hunter
All Men Must Die, but We Are Not Men': Eastern Faith and Feminine Power in A Song of Ice and Fire and HBO’s Game of Thrones
2019-11
465
Intan Fitri Aisyah Hamzah, Naqibah Izzati Mohammad Johan,, Noor Hanim
Ethos, Pathos, Logos: the Versatility of a Hijab Video Advertisement
2019-11
466
John Lynch
Mr Robot; Hacking the Apocalypse
2019-11
467
David S. Dalton
On (Dang) Quesadillas and Nachos; Mexicans, Mexican-Americans, and Religion in the Films of Jared Hess
2019-11
468
Maheen Haider
The Racialization of the Muslim Body and Space in Hollywood
2019-11
469
Teemu Taira
Reading Bond Films through the Lens of “Religion”
2019-11
470
David Scott Diffrient
The Canon, the Criterien Collection and the Question of Cinematic Religion
2019-12